Magic

I just finished writing a short story that I started last Thanksgiving. I’ve been picking at it the last few days over my spring break, trying to clinch it. I wrote a novel over my winter break and worked on some essays for scholarships, preventing it then, and thus far, my semester has been too packed to do anything but proofread.

So, finishing it leaves a perfect time to talk about “magic.”

Over winter break, I developed a schedule: wake up early, finish my routine, make a pot of tea, light a candle, open a window and write from 8 to 12 and break for lunch. Nonstop. If I had to use the bathroom, I made it quick. My parents didn’t really get it. They thought I was being asocial or avoiding them out of anger, or that my time up there  was lonesome.

I loved it. I enjoy people, but that four-hour time alone facing the page was something far better. That’s the magic of writing: that healing, redemptive, almost mystic struggle to draw words into the world. To me, nothing else comes close.

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A word on writing: Craft

Before shifting to philosophy, I was a journalism major. My passion was and remains writing and reading, although my topics have shifted over the years. I read grammar books for fun now and then, and get excited over a well-placed comma or a finite distinction, the difference between farther and further or prophesy and prophecy, for example. I think in words and try to pin down everything I can into coherent syntax. I recognize this has limits, but it’s how I process the world. Besides, language has immense expressiveness.

I have no other credentials than an ongoing college education; a passion for the page; a computer weighted down with essays, poems, short stories, and half-finished novels; and an exhaustive reading list. But I hope my opinion has some depth to it, and can entertain–or interest–a reader.

I think writing is a craft and a type of magic, a dichotomy made by Carl Sessions Stepp in his book Writing as Craft and Magic. Today, I’d like to talk about the first part: craft.

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