I feel that Roger Caillois, in some ways, offers a helpful rejoinder to some questions (or critiques) to Huizinga from last class through his focus on “games.” While Huizinga seemed more concerned with a broader concept of play, Caillois seemed to take a more more grounded approach. As Caillois says early on, “[Huizinga’s] work is not a study of games, but an inquiry into the creative quality of the play principle in the domain of culture” (4).
In particular, I thought Caillois taxonomy of games proved helpful, particularly as it further acknowledged the hybrid mixes that could take place within the terms. As he lays them out: “I am proposing a division into four main rubrics, depending upon whether, in the games under consideration, the role of competition, chance, simulation, or vertigo is dominant. I call these agon, alea, mimicry, and ilinx, respectively” (12). To this “rubric” he adds a further axis between the more open play of paidia (a tem Huizinga also takes up in tension with agôn) and the more structured ludus.
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