Maps

So I am neither dead nor lost in some Tron-like universe, detached from reality. I’m treasure_map__skull_island_by_pumpkinjack6-d30me8qjust very busy: a starring role in a musical, an honors thesis, and the day-to-day tasks of tutoring and studying. Still, I apologize for my absence.

That said, I don’t have anything new today. But I figured I could copy-and-paste part of my honor’s project, a memoir that also involves French writer Albert Camus called Coming of Age with Camus. It’s coming along, but still needs work. Call it a peace offering.

Here’s the first chapter, Maps:

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A quote on love

I’m a bit too busy today to write a full post, so I figured I’d leave a quote I’ve been thinking about regarding love, especially with Valentine’s Day earlier this week. symbiosis-oxEnjoy.

A Tibetan mystic saying goes: We are here to realize the illusion of our separateness. The spiritual sentiment has a biological cognate. Our xenotropic drive — to merge with what is not us, temporarily in sex, or permanently in symbiosis or cross-species hybrids — is more than a metaphor. But it also offers spiritual solace. When we hook up with another, in sex or love (or, more rarely, both) we prove that our isolation is not permanent. In the fullness of time, we may all be linked. In the meantime, eros brings us together, making us more than we are alone. Cupid’s arrow, quivering into the heart of loneliness, kills us even as it sets us free.

-Dorian Sagan, in Death and Sex

Kant and Camus: The is and the ought

Last year I was reading the giving The Giving Tree by Shel Silverstein to my nephew,

German Philosopher Immanuel Kant (1724-1804)
German Philosopher Immanuel Kant (1724-1804)

around five at the time. In the book, a tree sacrifices everything for a particular boy who gradually grows into into an old man. First simple things, like leaves, but by the conclusion, the tree is a stump with nothing left to give.

I closed the book, just like my dad did when I was a kid. “Believe it or not,” I said. Henry snuggled next to me with Eddy the Elephant and closed his eyes. The house was quiet, his brothers asleep in bed, his parents downstairs. Then, in the most innocent voice—as if he were asking for a cookie—he asked, “Why do people die?”

“I don’t know,” I said. It hurt to say it, but I couldn’t lie.

And I don’t think I’ll ever know. I may be able to craft a very elegant “I don’t know,” but in the end, that’s all it will be.

Continue reading “Kant and Camus: The is and the ought”

Labels

Labels are insidious. I imagine them slipping around like lampreys and aphids, Sticky_note_sleepingnotching their toothless jaws to us. They slip into conversation, into thought, and spatter the world like sticky notes, categorizing, separating, allocating, and organizing. We can pry them loose, but they always seem to slip back and latch on again. They’re often at the foundation of how we operate, whether we’re aware of them or not.

One of my favorite–albeit “sketchy”–pastimes is to sit in a crowded place, especially on a college campus, and look at how people naturally sort themselves, fitting into tidy categories

The “jocks,” with short, blond hair, fit physiques, and exercise clothes sit together. So does the alternative crowd, people like “hipsters,” with quirky sweaters, weathered jeans, and sunglasses, or the lingering pockets of “goth” and “emo”culture.

The pre-med students group together, and the theater folk unite. The church-going flock together, filling the same long tables at meals with persistent regularity.

People separate and and sort by age, majors, music tastes, geographic locations– anything to segment and define–and looking at them, I, too, block people together under labels.

I often wonder where the label ends and the person begins.

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Some thoughts on theater

Two weeks ago, I went to a college theater festival in Maryland. Surrounded by crazy

Photo from the festival: a few of us in Midsummer Night's Dream Costumes, designed by Emily West
Photo from the festival: a few of us in A Midsummer Night’s Dream costumes, designed by Emily West (Far right)

theater types, plays, and workshops–including one that taught how to use a feather to achieve inner balance–the nine of us who went had theater on the brain–still do, I suppose.

Since ninth grade, when I acted in my first play, theater has remained an integral part of my life. Many of my friends have been actors and techies, and my evenings–sometimes weekends–often get swallowed by it. Whenever I can, I try to see plays.

It’s a fascinating art. Is has the fragility of music and the visual complexity of painting, kinetic and dynamic like dance, yet grounded in the permanence of writing. It uses space and resonance in ways a film never could and the vocalization of everyday poetry.

And it’s immediate, like life.

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There’s a difference between quiet and silence. Before I graduated high school, I climbed

Photo I took from the summit as the sun rose.
Photo I took from the summit as the sun rose.

Mt. Marcy, the tallest mountain in New York State, with one of my high school friends, his dad, and another scout. We started our ascent at midnight, reached the peak by 4 a.m., and waited for the sun to rise near five.

On our walk up, our breath mingled with the humidity, revealing webs of water vapor in the light of our headlamps. We sometimes talked, but mostly, things were quiet: the shuffling scratches and thuds of our footfalls as we scrambled over rocks, the heavy pants of our breath,  The occasional slosh and swallow of our water, and the continued cracking and hissing of wind laced through forest.

Now and then, I’d hear an animal, it’s sudden rustle breaking the background.

Quiet is a sense of monotony, a pattern, like a radiator rattling and blowing in a classroom. You forget the noise is there. It’s like the air, bearing down on us, stirred up in with fingers, vibrating in pulsing with invisible waves. Yet we feel like nothing is there. Continue reading

So another year’s gone by…

David Copperfield and Co. celebrate the New Year
David Copperfield and Co. celebrate the New Year

Two summers ago, my high school friends and I hit the road through New Hampshire, climbing a mountain, going to a theme park, ghost hunting, and staying in sketchy hotels and campsites in the White Mountains.

The state motto for New Hampshire is “Live free or die,” taken from a toast Revolutionary War hero John Stark wrote for the 1809 anniversary to the Battle of Bennington. Poor health prevented his attendance to the anniversary, but his words penned and mailed have endured:

Live free or die: Death is not the worst of evils.

I saw the words on the roads in front of us, emblazoned on license plates and signs, and they’ve stuck, always on the hazy edge of consciousness. Live free or die. They’ve become my own motto.

I leave this year laden with memories. Despite difficulties, it’s been the best one of my life so far, because it’s the first year when I’ve felt fully alive.

Continue reading “So another year’s gone by…”

My brother

Writing my memoir piece, I’ve been reading a lot of my old journals and blog posts, Gemini-astrology-15139447-1753-1274“dredging the self” as I called it in my last post. I found this and thought it quite relevant, considering the season. So I polished it up and posted it below.

I do apologize for the occasional “recycled” post. It’s not that I can’t write another one or that don’t want to, but I find I can’t replicate some sentiments. Writing, I find myself dragging my net through the world, searching for a story, and sometimes particular moments have an eloquence or meaning that only lived during that brief space. Taking my net out again, I know I cannot find it.

So it is with this.

But a brief backstory may help. Last year, as I’ve alluded too, I was battling a depressive episode. I took a four-day stint of solitude, where I did not see a single person. Sometimes I rested, or walked in the forest, or meditated. I did what the hours allowed. The piece below was a reflection I wrote from the period, not anything grand or academic, but my own tangled thoughts about the world.

Thank you.

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Dredging the self

This Monday, I dug up a crate of my old writing from my parent’s cellar. Journals,

Ah yes, my high school self...
Ah yes, my high school self…

poems, old short stories, math notebooks lined with marginal musings. Anything I could find. I fished love letters from my closet and photographs from my mothers’ desk, piling it all up like autumn leaves on my bedroom floor.

For a few days, I dug trough the stack.

OK, so “stack” may be a little exaggerated. But it’s a significant pile. I’m reread it all to revisit those hazy landscapes of my not-too-distant childhood, verifying events and reviving old memories, all in a pointed search of self.

I’m writing a memoir for my Honor’s project. I know I could half-ass most of it. But I’d get nothing from that besides reams of pleasant-sounding pulp. I don’t want that.

I’m after my own self, after all.

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