Camus: Ignorance and clear-sightedness

Along with others, I have been revisiting Albert Camus’ novel The Plague (like Vox’s Sean Illing speaking to historian and Camus biography Robert Zaretsky or Book Riot’s Christine Ro contrasting two different versions of the novel). As Ro puts it, “If Contagion is The Movie of the COVID-19 pandemic, The Plague is The Novel.”

Trying to get back into quotes, I was drawn to the one below about ignorance and what is often translated as clear-sightedness or lucidity:

The evil that is in the world always comes of ignorance, and good intentions may do as much harm as good, if they lack understanding. On the whole men are more good than bad; that, however, isn’t the real point. But they are more or less ignorant, and it is this that we call vice or virtue; the most incorrigible vice being that of an ignorance which fancies it knows everything and therefore claims for itself the right to kill. There can be no true goodness, nor true love, without the utmost clear-sightedness.

Though the novel is directly about the Algerian town of Oran under quarantine for Bubonic plague and the main characters finding various ways of coping and addressing the isolation and rising body count, it also explores deeper themes of humanity in the face of overwhelming challenge. The plague itself is partly a symbol for Nazism and other fascist regimes, nihilism, and the specter of the absurd.

This leads to the above quote. Camus’ post-war morality, which developed firmly in his Letters to a German Friend during the war, focuses on these two sides: ignorance and lucidity. Elsewhere in The Plague the two main characters have a conversation:

“What on earth prompted you to take a hand in this?”
“I don’t know. My… my code of morals, perhaps.”
“Your code of morals. What code, if I may ask?”
“Comprehension.”

Throughout much of his writing, including his early work like The Wrong Side and the Right Side, Camus argues that clarity is at the core of morality. One cannot do the right thing clouded with ignorance, and vise versa: having a clear sense of the situation makes it harder for tyrants to perpetuate atrocities. For example, as he writes on capital punishment:

When the imagination sleeps, words are emptied of their meaning: a deaf population absent-mindedly registers the condemnation of a man. … There is no other solution but to speak out and show the obscenity hidden under the verbal cloak.

Part of this belief seems to step from Camus’ faith in the underlying goodness of most people, a resilient theme in his work. As he says, “men are more good than bad.” This faith girdled his humanism and informed his break from other French intellectuals, like Sartre, who took a more Marxist view of history, less focused on individual morality and more focused on grand causes and social movements.

But as Camus says, most people are inherently ignorant, causing suffering through their uninformed actions or letting leaders abuse them and stir them to abuse. And if clear-sightedness is the core of morality than the opposite is the worst: “an ignorance which fancies it knows everything.” Over the years, I have often come back to this form of ignorance, which I often term “impassioned ignorance,” where individuals, for whatever reason, refuse to change their views in the face of information.

While not new and not inherently destructive (Will Sorr’s The Unpersuadables takes a more positive view, for instance), this impassioned ignorance seems especially destructive today, whether in the rhetoric of anti-vaxxers, science-deniers, those vilifying other races and ethnic groups, and those peddling conspiracy theories like QAnon. Amid fake news and post-truth rhetoric, impassioned ignorance is flourishing.

And I think Camus’ warning is as important as ever, though like the plague itself, addressing ignorance presents an seemingly impossible challenge.

Stardew Valley, Sorge, and Martin Heidegger

I’ve been playing a lot of Stardew Valley lately. The pixel-graphics farm RPG has enjoyed a  one-year anniversary this past Feb. 26, but mostly I’ve found the game to be a bit of an escape as Syracuse’s nickel grey March and school’s looming deadlines deepen a seasonal depression.

For those of you who have not played Stardew Valley, the plot is simple. Inheriting your grandfather’s rustic farm in the bucolic Stardew Valley, you start with some lose coins and tools and gradually nurture the farm back to health, interacting with the community and the surrounding countryside–from mysterious woods, to mines, to the ocean–as you plant and harvest seeds, forage, mine, and care for animals. Like any RPG, you level up your skills, from crafting and combat, and build relationships with NPCs by giving gifts and completing small quests. The player can eventually get married and raise a family.

The game has some overlap with the Harvest Moon and Animal Crossing series, placing the player as a caretaker enmeshed in a community. The simple music, pixel graphics, and winsome, quirky cut-scenes have their charm, and while the mechanics can get a bit grind-inducing (depending on one’s style and goals), the rhythm of rising, getting set for the day, working, and heading to sleep is a calming metronome that structures your daily actions, whether attending a community celebration, fighting “Slimes” in the mine, or simply fishing away a few hours.

More deeply, though, I kept coming back to what Stardew Valley teaches about Martin Heidegger (1889-1976), especially his notion of sorge, or “caring,” as it’s often translated.

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Productivity?

As the years go on, I see the false idol of long hours. Long hours, when meaningfully deployed are great, but so often quantity takes the place of quality. I worked x hours, instead of getting x done. Or in its more haunting form, I still have time and work to do today, so I can’t rest.

I think of a distinction raised in Sogyal Rinpoche’s Tibetan Book of Living and Dying between what I call lazy laziness v. busy laziness. Lazy laziness refers to what we normally consider lazy: the archetypal the couch potato, the binging of Castle reruns, the downing of Atomic-Fire-Lazer-Charged chips. Busy laziness refers to the layering on of hours that ultimately distract us from more meaningful activities, simply exhausting us until we pick back up the next day to do the same thing, ad infinitum. Though I think we rarely fall in either extreme, that spectrum has followed me through the years.

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Return (for now)

Hey all, it’s been a while. Though I’ve kept blogging on a school-based site, the nature of the blogging has been more academic, mostly reaction to readings or conferences. It wasn’t the sort of writing I was doing here.

But I think I’ve come to miss this space. Primarily for three reasons. First, it’s a chance to voice my thoughts in a public setting that is a more involved than most social media. It’s uncanny, for example, that my last post before the hiatus was about gun control, since the news of the Orlando shooting has left me blank and sort of shell shocked without a space to vocalize anything. The echo of the news is sort of reverberating in my body and thoughts but not really going anywhere. I’m not ready to talk about it, but I need a space to just sort of say that. That I am literally sickened and dazed at the news and can’t seem to figure out next steps or previous steps or any steps at all. This blog used to be that space, and I guess it is today.

Second, while I’ve been doing a lot of writing, I’ve been writing in a vacuum. True, I’ve been writing to peers and professors, occasional strangers, and fellow academics at conferences, but I miss a public place interface with an audience on a semi-regular basis outside of academia. Not a big one. Or a constant one, likely. But someone. Because I miss the sense that now and then my writing was doing something. It was a small something, but the occasional thank you message or thought was more nourishing than I gave it credit.

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“Just the Facts, Mam.”

Fact fistToday, I saw an article floating around social media called “No, It’s not Your Opinion. You’re Just Wrong” by Jef Rouner. It comes at the heels of similar articles, like this one from Vox about professors being afraid of liberal students or this cogent blog post about Twitter by Alex Ried.

As Rouner puts it, “There’s a common conception that an opinion cannot be wrong.” In many cases, this is fine. I mat have an opinion on certain music or food. Having that opinion relies on aesthetic judgement, which may be informed, but has a different standard than scientific “fact.”

As the article points out, however, many people have “opinions” that seem to contradict “fact.” Bringing in the usual suspects–climate change deniers, people who connect autism to vaccines, people who doubt privilege–the article tries to argue that such “opinions” are simply wrong. They are misconceptions. Factual errors.

I think the brusque way the article deals with the problem, typical of most contemporary mainstream rhetoric, dodges some of the deeper complications. In reality, I think we have a major epistemological issue afoot, where our sense of fact, truth, or opinion, and the standards we use to judge these words have become really messy.

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Progress

With the recent Scotus ruling, many have celebrated a sense of “progress” throughout social media. Rainbows have popped up on skyscrapers and online interfaces. Pictures pepper Twitter feeds and Tumblrs showing same-sex couples embracing, cheering, smiling, and waving flags. Some backlash is inevitable. But for the most part, most media outlets celebrate.

Certain words, like “conservative” and “reactionary” or (on the other side) “progressive” often make me wonder about progress–in effect, what it is and whether it exist. Personally, I think that the ruling is a sign of “progress,” but that progress is more complicated than we often give it credit for.

Take this situation. If a conservative is, by definition, someone who opposes changing the status quo and prefers more “traditional” values over more “progressive” values, then we have some odd alternatives. Either he or she is always (by definition) on the losing side of history. Or progress is not necessarily linear or inevitable.

The second of these hits to the sticky heart of progress, as one may have a harder time arguing against the raw progress of time and history–that it progresses–but we can easily argue that such progress is not some rosy, life-improving series of events. WWII, The Holocaust, the potential threat of climate change, the Arab Spring’s undoing, ISIS–such things complicate ideas of progress. “A Century’s Decline” by Wislawa Szymborska captures the feeling well:

Our twentieth century was going to improve on the others.
It will never prove it now,
now that its years are numbered,
its gait is shaky,
its breath is short.
 
Too many things have happened
that weren’t supposed to happen,
and what was supposed to come about
has not.

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Some thoughts about Objects and Expression

Source: Food for the Hungry
Source: Food for the Hungry

I’ve been thinking a lot about objects lately. A few weeks ago, I wrote a post that touched on a few of these ideas. At the moment, a friend and I are working on a panel proposal for the CCCC conference next April, centering the proposal around our object-centered and thing-related interests.

More specifically, I’ve been thinking about the relationship between people and our tools and interfaces.

A lot of this comes back to Martin Heidegger’s Being and Time (1927), in which Heidegger sketches out an ontological landscape that maps all the “beings” that “are” and how “being” expresses itself more generally. Breaking down the abstractions, at one point, Heidegger uses the example of a hammer.

When we first encounter a hammer, it is “ready-to-hand” for the most part, meaning that we encounter it as a tool in use. We associate hammers with hammering. This defines the hammer, making it intelligible to people and to the world at large. This contrasts with “present-at-hand,” which places the being of the hammer in a more speculative, observed frame. With “present-at-hand,” I am studying the hammer, observing the smooth maple handle, running my hands along the metal hooks that pry. I may balance the weight. But I am detached in a sense.

In short, “ready-to-hand” defines the hammer as one uses it; “present-at-hand” defines the hammer more abstractly as a series of properties.

Tool-Being (2002) by Graham Harman takes up Heidegger’s broader outlook on these issues to explore the being of the tool more directly, becoming a flagship book in “object-oriented ontology.”

But I want to go back to the tools, back to the “things themselves” as Husserl would put it, being careful of the sort of interface  or relationship that develops as people encounter the tools. This may sound a little out there, but digging into this gritty, abstract question may have pretty dynamic consequences.

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Brain Vats and Jaegers

Hey all. The philosophy club that I help out with at school has a weekly column now in the paper, so in place of my usual post today, I figured I would send a link to that to give it some traffic. It also is much along the same things I normally write about, so it fits well here.

Here is the link. Feel free to comment here or the school paper page, if you do wish to leave a comment. You may also e-mail a question to SBUPhilosophyClub@gmail.com. (I made a mistake with the e-mail in the piece, but there is the correct one right below).

The piece centers on reality: essentially, can we trust our sense or our mind? Until next week!

Identifying the Alien in our Humanity

Look around you. At any given moment, “beings” encircle us from all sides. I’m using a computer on a table, while sitting on chair. Nearby, some window blinds murmur a restless patter and s kettle hisses and whines. Outside, the stirring, purring, scratching, sniffing scuttle of nature persists indefinitely. Indeed, we are not alone.

On the one hand, this is pretty obvious. Humans have always had “tools” or “technology,” and we’ve always been in the environment. But at a deeper level, this intimacy with other beings implies a kinship. Particularly in contemporary culture, people constantly interact with and through technology, like cell phones, buses, radios, computers, or televisions. Doing so, we express our humanity in and through technology, and this technology has an important role in how that occurs.

In other words, humans do not express what we often call “humanity” in a vacuum. To compose the great texts of history, Shakespeare, Beethoven, Sappho, and Sun Tzu needed technology. They needed ink or stylus, paper or tablet. And these texts always grew out of a place. The tablets of Mesopotamia needed the clay of the Fertile Crescent. The cave sketches of Lascaux needed the water and pigment–along with the cave wall.

This is what the scholar Thomas Rickert is getting at, to some extent, with the notion of “ambiance”: we grow out of stuff, express with stuff, “are” through stuff and space. As Carl Sagan said, “We’re made of star stuff. We are a way for the cosmos to know itself.” Humans may like to center the world around our own being, but we are intimately part of the nonhuman, “spoken” in a sense by our environment and the objects and nonhuman beings that compose it.

Continue reading “Identifying the Alien in our Humanity”