Two weeks ago, I went to a college theater festival in Maryland. Surrounded by crazy

theater types, plays, and workshops–including one that taught how to use a feather to achieve inner balance–the nine of us who went had theater on the brain–still do, I suppose.
Since ninth grade, when I acted in my first play, theater has remained an integral part of my life. Many of my friends have been actors and techies, and my evenings–sometimes weekends–often get swallowed by it. Whenever I can, I try to see plays.
It’s a fascinating art. Is has the fragility of music and the visual complexity of painting, kinetic and dynamic like dance, yet grounded in the permanence of writing. It uses space and resonance in ways a film never could and the vocalization of everyday poetry.
And it’s immediate, like life.





You don’t fall in love like you fall in a hole. You fall likefalling through space. It’s like you jump off your own private planet to visit someone else’s planet. And when you get there it all looks different: the flowers, the animals, the colours people wear. It is a big surprise falling in love because you thought you had everything just right on your own planet, and that was true, in a way, but then somebody signalled to you across space and the only way you could visit was to take a giant jump. Away you go, falling into someone else’s orbit and after a while you might decide to pull your two planets together and call it home. And you can bring your dog. Or your cat. Your goldfish, hamster, collection of stones, all your odd socks. (The ones you lost, including the holes, are on the new planet you found.)