Feeling “at home”

I spent the last three days traveling to Boston with an old friend and his girlfriend, House picturescouting for apartments. They’ll both be PhD candidates in the fall–one at B.U. and the other at MIT. My old friend called me about a month ago to catch up, and we decided it may be neat for me to move in with them.

I didn’t get into the MFA programs I applied to last winter, and the prospect of a gap year living with my parents at home as I applied to other programs didn’t seem pleasant. My friend agreed. Boston would have plenty of people, schools, and opportunities to explore. I’d be out of the house, living in the world.

The plan was to find a two-bedroom in Cambridge area for a reasonable price. Turns out, it wasn’t that simple.

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Clichés and images

In seven days, I put on a cheap, fire-hazard of a cap and gown, shuffle across the Charlie Brown One Nightoverpopulated floor of a gym, grab a mass-produced sheet of sepia-toned paper, and graduate–along with thousands of others in the coming weeks. In the meantime, I have a lot to think about.

I auditioned to be one of the commencement speakers. I don’t think the committee appreciated my attempt to deconstruct the clichés that crowd most ceremonies–those lovely nuggets of wisdom we pocket heading out into the “real word” to find a job because “we’re the future” and “our education is only the beginning.”

“I didn’t think we’d make it,” but we did. Hopefully we’ve “found ourselves” and “remember where we came from” while we’re at it.

I think I’ve made my point…

Clichés are the Easy Mac of our language: artificial, devoid of nutrition, but easy to make. No one really likes clichés, but we use them at important events for well-trod expressions and cheeky adages. They’re quick and malleable. Few of us take the time to truly consider what the event means, or if we do, we can’t find the right words. There’s too much going on.

This is my problem.

I can feel the day approaching, but I don’t know what it means. And I’m not the sort of person who can blithely steps off into mystery like a trust fall. I need some clarity.

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Maps

So I am neither dead nor lost in some Tron-like universe, detached from reality. I’m treasure_map__skull_island_by_pumpkinjack6-d30me8qjust very busy: a starring role in a musical, an honors thesis, and the day-to-day tasks of tutoring and studying. Still, I apologize for my absence.

That said, I don’t have anything new today. But I figured I could copy-and-paste part of my honor’s project, a memoir that also involves French writer Albert Camus called Coming of Age with Camus. It’s coming along, but still needs work. Call it a peace offering.

Here’s the first chapter, Maps:

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My brother

Writing my memoir piece, I’ve been reading a lot of my old journals and blog posts, Gemini-astrology-15139447-1753-1274“dredging the self” as I called it in my last post. I found this and thought it quite relevant, considering the season. So I polished it up and posted it below.

I do apologize for the occasional “recycled” post. It’s not that I can’t write another one or that don’t want to, but I find I can’t replicate some sentiments. Writing, I find myself dragging my net through the world, searching for a story, and sometimes particular moments have an eloquence or meaning that only lived during that brief space. Taking my net out again, I know I cannot find it.

So it is with this.

But a brief backstory may help. Last year, as I’ve alluded too, I was battling a depressive episode. I took a four-day stint of solitude, where I did not see a single person. Sometimes I rested, or walked in the forest, or meditated. I did what the hours allowed. The piece below was a reflection I wrote from the period, not anything grand or academic, but my own tangled thoughts about the world.

Thank you.

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Dredging the self

This Monday, I dug up a crate of my old writing from my parent’s cellar. Journals,

Ah yes, my high school self...
Ah yes, my high school self…

poems, old short stories, math notebooks lined with marginal musings. Anything I could find. I fished love letters from my closet and photographs from my mothers’ desk, piling it all up like autumn leaves on my bedroom floor.

For a few days, I dug trough the stack.

OK, so “stack” may be a little exaggerated. But it’s a significant pile. I’m reread it all to revisit those hazy landscapes of my not-too-distant childhood, verifying events and reviving old memories, all in a pointed search of self.

I’m writing a memoir for my Honor’s project. I know I could half-ass most of it. But I’d get nothing from that besides reams of pleasant-sounding pulp. I don’t want that.

I’m after my own self, after all.

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Sunset on the Allegheny River

I went for walk tonight along the river that runs behind the school. The sun was setting

A picture of the trail just after sunset.
A picture of the trail just after sunset.

over the hills, making me think of a piece I wrote four years ago during my freshman year. At the time, I didn’t know anyone, so I would sit by the river often, writing and reading Aldo Leopold, Khrishnamurti, and Thoreau.

The silence and solitude of the path still moves me. I think the piece captures that well:

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Wandering

Gradually I’ve made progress on my to-do list. Today I submitted my thesis for final approval. Once my advisor gives the OK, I defend it. My graduate applications continue in a steady stream. In time, those will be done.

I can finally see the horizon of the next projects: my coming-of-age memoir for an honors project and a short story I’ve had simmering for a few months now. I’ve got some reading piling up as well. From one project to another, I guess.

Last week, I spoke to one of my professors. He had just finished his dissertation and felt an odd sense of freedom. Without the project tugging him along, he didn’t have anything to direct him. It was liberating, but disconcerting. An open horizon. A void.

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Nourishment and starlight

Yep, another update. But I should be having some more substantial posts soon as I only have four more weeks of school before winter break. In the meantime, the work goes on. Still, I have some reflections to consider.

“You have to do what nourishes you,” one of my English professors said earlier this semester. The words have been close at hand the past few days. After a three-week low, I’ve started to pick up lately. I’ve gotten a lot of work done and have had some meaningful interactions with people.

In short, I’ve nourished myself.

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A few thoughts

I’ve been thinking a lot lately, going over old photographs and reading articles. It’s been introspective. At such times, I always recall an image a friar once used to describe spiritual growth: Augustine’s wineskins.

Augustine noted that a fresh wineskin is too tight to hold much wine. Someone fills it, and it strains, bulging and stretching, ready to burst. Gradually, it stretches enough to hold more, so we pour more in, but again, it fills quickly. Still, it stretches, and as we repeat the process, it can suddenly hold gallons.

Likewise, life stretches us through challenge, reflection, and experience. The same events that hurt us or stretch us as we grow, let us hold more. As another friar told me, “The older I get the more grief I can hold.”

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Own it: Authenticity

Rain clouds loomed outside as I sat across from my spiritual advisor, Br. Robert, in the simple room. “You have to own it,” he said. “You’re an artist. Own it.”

He talked about his early years as a friar. The other friars didn’t think much of his penchant for painting, forcing Br. Robert to sacrifice his own time, money, and space for it. At one point, he even tried to suppress the urge because it interfered so much with his religious duties. Just as Thomas Merton complained about his “double” as a writer pestering him during his early years with the Trappists, Br. Robert struggled with the artist fighting for expression from within.

When he left the friars–and the Catholic Church for a time–Brother Robert lived on Skid Row, trying to make his work as an artist. He found a deep, resonant calling. Surviving on rice and beans–tuna fish, when he could afford it–he scraped by, but his art taught him his vows better than his stint with the friars. Poverty. Obedience. Chastity. The words clarified as the years wore on.

For Br. Robert, devotion to art proved a devotion to God.

“Own it,” he had said. The words made sense as he said them, but didn’t resonate. As the years has pass, the words Br. Robert and I shared deepen and clarify, like his vows. Tempered and stretched by experience, his wisdom grows. I understand him now.

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