Dredging the self

This Monday, I dug up a crate of my old writing from my parent’s cellar. Journals,

Ah yes, my high school self...
Ah yes, my high school self…

poems, old short stories, math notebooks lined with marginal musings. Anything I could find. I fished love letters from my closet and photographs from my mothers’ desk, piling it all up like autumn leaves on my bedroom floor.

For a few days, I dug trough the stack.

OK, so “stack” may be a little exaggerated. But it’s a significant pile. I’m reread it all to revisit those hazy landscapes of my not-too-distant childhood, verifying events and reviving old memories, all in a pointed search of self.

I’m writing a memoir for my Honor’s project. I know I could half-ass most of it. But I’d get nothing from that besides reams of pleasant-sounding pulp. I don’t want that.

I’m after my own self, after all.

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Sunset on the Allegheny River

I went for walk tonight along the river that runs behind the school. The sun was setting

A picture of the trail just after sunset.
A picture of the trail just after sunset.

over the hills, making me think of a piece I wrote four years ago during my freshman year. At the time, I didn’t know anyone, so I would sit by the river often, writing and reading Aldo Leopold, Khrishnamurti, and Thoreau.

The silence and solitude of the path still moves me. I think the piece captures that well:

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Own it: Authenticity

Rain clouds loomed outside as I sat across from my spiritual advisor, Br. Robert, in the simple room. “You have to own it,” he said. “You’re an artist. Own it.”

He talked about his early years as a friar. The other friars didn’t think much of his penchant for painting, forcing Br. Robert to sacrifice his own time, money, and space for it. At one point, he even tried to suppress the urge because it interfered so much with his religious duties. Just as Thomas Merton complained about his “double” as a writer pestering him during his early years with the Trappists, Br. Robert struggled with the artist fighting for expression from within.

When he left the friars–and the Catholic Church for a time–Brother Robert lived on Skid Row, trying to make his work as an artist. He found a deep, resonant calling. Surviving on rice and beans–tuna fish, when he could afford it–he scraped by, but his art taught him his vows better than his stint with the friars. Poverty. Obedience. Chastity. The words clarified as the years wore on.

For Br. Robert, devotion to art proved a devotion to God.

“Own it,” he had said. The words made sense as he said them, but didn’t resonate. As the years has pass, the words Br. Robert and I shared deepen and clarify, like his vows. Tempered and stretched by experience, his wisdom grows. I understand him now.

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Reflections in an empty cafe

Okay, so the cafe isn’t quite empty. It’s got a few green-shirted workers sweeping the

Cafe La Verna, as pictured on St. Bonaventure’s site.

floor and standing around balancing on their heels. But it’s almost empty.

A gray drizzle shadows the campus outside and a warm fire flickers nearby, giving the illusion of warmth. Most of the students have left for break or are elbow-deep in packing. I’m staying to work and reflect. It’s been a busy few weeks and I need to catch my breath, write my thesis, and sort out my post-graduation life.

A few thoughts swirl in my head. Last fall, I sat in this same cafe for 12 hours. It’s a campus-bound Starbucks with earthy colors and cozy chairs called La Verna, a place where time slips away unnoticed and people pass through like birds in migration. Grounded there for so long, I felt like a rock watching the seasons change.

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Stars and Broken Seashells

I haven’t posted in a while. I apologize. Life has a nasty way of putting things we enjoy doing to the edge of our days. But, in any case…

Raindrops slapped the tinted leaves and rolled onto the path, now dyed black by moisture. I kept my hood down, sheltered by leaves, and took in the ruddy hills and open fields, the trees around me sighing with the weight of rain.

The air was wet and subdued, while a rumpled gray spanned the sky, tucked into the horizon like an old blanket. I could feel things slowing down, fall coming, a dimming twilight before winter, the air changing.

I started talking Sunday walks–once per week–after I stopped going to church last fall. The empty ritual and hollow chants didn’t nourish me. I figured a walk in the woods held promise, unbound by the time-soaked labels of the Latin Rite and the Christian cannon.

Even if I didn’t call it God, something in nature holds the same transcendent immanence for me–even if it’s just an illusion of experience. It’s something I can cling to and feel cradled in.

I also use my walk as a time to think. Today was no exception.

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The Ticking is the Bomb Review

Image
The Ticking is the Bomb, as seen on Amazon.com

I propped open The Ticking is the Bomb by Nick Flynn while sitting on my bed in a Zen Monastery, day two of a spiritual pilgrimage. It’s an older book, coming out in 2012, but a teacher recommended it.

The day started just before 5 a.m., when some monk jangled a handful of bells outside the door. At the time, I imagined he took a sadistic joy in it.

“Hey, here’s a crammed group of exhausted travelers—how can I give a good start to the day?” he probably thought. “Loud bells!”

Rubbing my head, I greeted the others with a nod.

Night still drenched the windowpanes in reflection as we entered the meditation hall. I crossed my legs into a half-lotus and a bell pitched the space into silence, broken occasionally by the rattling radiator or the rasp of a stuffy nose.

I wrestled with my thoughts for the next hour or so. The rest of the day blurred as we moved from one lecture to another and a silent work call. I stayed in the kitchen, cracking 160 eggs for a massive casserole.

Thirteen hours after waking up, I was choking on Zen. Flynn’s tense prose challenged the backdrop of silence that permeated the day. But I needed it.

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