Time, art, and negative capability

I found my summers yesterday, in the fall, the whole of them blue-sky bound and strewn with wind. The oak and maple leaves weaved paths like a wandering needle as they settled to the ground, sun-curled and scattered. Meanwhile, the afternoon light shimmered in the shaking leaves like a mirage or a whispered poem.railway-autumn

Legs folded, I sat on a red Adirondack chair, looking at the backyard where I grew up. A few things were different. The white picket fence wasn’t there anymore. My brother and his friends had taken sledge hammers to it some hot day years ago, celebrated with beer, and piled up the boards like felled trees. A wire fence replaced it, rattling in the wind and squaring off the yard like the lines on a chess board.

My grandfather’s old table was gone too. It was old when I was a kid, gray like the weather had bleached the life out of it, while lichen and moss filled the cracks. I used to poke my finger through knotholes and wiggle it, like a worm, legs swinging too high to touch the flagstone patio where the table rested. I don’t know where that went. Maybe firewood. Maybe the soil behind the stand of hemlocks in the back.

There, on that old table, my neighbor and I built planes with computer paper from my dad’s old Macintosh. That’s gone too, or maybe buried somewhere in a dim corner of the basement, beneath rusted wrenches and coffee cans of old nails. Those days, before the wire fences went up, my neighbor would cut through our backyards and knock on our back door. We rarely called. I’d see him on our back step, his hair like a pile of feathers cemented under a baseball cap, and I’d steal the paper.

For the whole summer day, we’d sit out at that table, folding, and cutting, and throwing our planes when the wind blew. Sometimes they weaved, crashed, and tumbled on the ground like drunk pigeons. And other times, the wind caught the frail wings of our creations and carried them up into the blue, blue sky like birds chasing the sun, and we forgot that there were boundaries, forgot that there were fences and time limits.

Yesterday, sitting on that red chair, I found that joy again. I could see the table, the paper, and my neighbor folding planes beside me. Memories pooled in a puddle that never dried up. The images had a deep resonance, like the memory had bounced back from some distant place, bringing echoes as it returned. Time dissolved.

Then, the moment passed, as a gust brought a branch full of yellow leaves sailing down like a dozen paper planes, all weaving, and diving, and settling. I locked back into time again, like a wanderer suddenly brought back to the path.

Continue reading “Time, art, and negative capability”

Starlight and renewal

Sometimes, when I’m tired or lost I look at old writing. It reminds me where I camestars1.jpg from, what has always mattered, and where I ought to go. Today, as I struggled to write a blog post, I sorted through old files and notebooks.

I found this, a reflection from fall of my junior year. It was a hard semester, as I’ve referenced before, but it many ways, it set my foundation. In the midst of that darkness, I found my passions and insecurities. I found my self.

I think this particular reflection captures a lot of that. It also hits at the seed that inspired this entire blog: the fusion of life and philosophy that makes “backyard philosophy.”

I repost it in full below, only edited for grammar. We all need reminders now and then.

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Empty blue mattresses

June 24, 2011. Blue and white caps and gowns dotted the football field. From my chair in the front row, I remember thinking to myself, “I will never be in the presence of this exact group of people ever again.” 

Since then, I can count on one hand how many people from my high school graduating class I’ve gone out of my way to see since that June evening over two years ago (the answer is three –– not kidding).

But my lack of friends from high school is an entirely different matter; the real point here is that there are moments we seriously can never get back. And places, too. Physical locations are just as important.

Polka-dots galore, welcome to my freshman dorm room.
Polka-dots galore, welcome to my freshman dorm room.

I adored my freshman year dorm room. I have so many memories trapped within the walls of room 157 in Loughlen Hall. My friends and I watched Jenna Marbles videos and snuggled in my bed. We got fancy with wine the night before one of my finals and shoveled handfuls of classy taco cheese down our throats, the next-best thing to Gruyère.

It hits me when I remember that room doesn’t exist anymore. And some of those people in the memories don’t even attend the university now. We’ll never recreate that group of people or the place we once called “home.” The then-polka-dotted walls are back to their original white cinder-block state, with lonely bed frames housing empty blue mattresses.

I’m currently in limbo, picturing my dorm room from this past year instead of looking forward to a new white box to call my home. And what I’m thinking of and picturing doesn’t even really exist anymore. The frame does, the touches that made it Emily’s Room don’t.

Next time you’re in a group of friends, look around. Memorize facial expressions and laughter. Take the time to discover what each person contributes to the gathering and ponder what it would be like if he/she were not there. How do your surroundings make an impact? What if you could never return to that particular place? You’re living in a moment that may never present itself again. Cherish it.

I hope that if/when my parents sell my childhood home, the new owners take the time to look it over and imagine bare feet tearing through the different rooms and up the staircase. I know I will be.

The minute that “SOLD” sign is posted, I’ll have lost access to a portal containing countless memories; one that can never be reopened once sealed.

A Short: “Fishing”

I take my notebook, slide up on a weathered log, and look. The sunlight rising and

After sunset on the Allegheny River
After sunset on the Allegheny River

falling on the river resonates, and a fisherman inches into the water. Running his fingertips along the bill of a stained, weather-beaten baseball cap, he adjusts it. I watch him hold his line above the water with the natural, unconscious care of a mother, peering into the river.

He juggles the line, grips the pole, and catapults the lure out like a lasso, letting it sail skyward and plop in the stream. As it flashes in the sun, being tugged and buoyed by the current, the fisherman reels it in, gathering it up and casting again.

As the quaking aspens shiver in the cold wind and golden air, the sun continues to set. Hills guard the horizon, motionless blinds to the sun’s retreat. The clouds slow their silent shuffling. Nature stills. I cross my legs and wait, resting on the log.

Hearing the husky rhapsody of geese, I look up. A flock rolls over against the clouds and flies toward the silhouetted hills, over the fisherman’s head.

The sun sinks lower and lower, and I shiver like the aspens. The heat evaporates in a warm poem of lush reds and oranges. The tongues on the river cease to sway with the current; the glints against the water cease to blind. The geese calls become eclipsed by distance, and the squirrels nestle into their nooks for the night. Reeling in the bobber, the hook, and the spider-thread line, the fisherman holds the rod a bit and sighs.

Winking over the mountains, the sun vanishes, leaving the residue of its brilliance lingering like a faded photograph. Its fiery hues subside into shades of purple and of blue.

The fisherman comes to life and takes a final cast. In time, he reels it in, wades out onto the rocky riverbank, and leaves without his catch. Closing my notebook in the sinking twilight, I leave with mine.

Clichés and images

In seven days, I put on a cheap, fire-hazard of a cap and gown, shuffle across the Charlie Brown One Nightoverpopulated floor of a gym, grab a mass-produced sheet of sepia-toned paper, and graduate–along with thousands of others in the coming weeks. In the meantime, I have a lot to think about.

I auditioned to be one of the commencement speakers. I don’t think the committee appreciated my attempt to deconstruct the clichés that crowd most ceremonies–those lovely nuggets of wisdom we pocket heading out into the “real word” to find a job because “we’re the future” and “our education is only the beginning.”

“I didn’t think we’d make it,” but we did. Hopefully we’ve “found ourselves” and “remember where we came from” while we’re at it.

I think I’ve made my point…

Clichés are the Easy Mac of our language: artificial, devoid of nutrition, but easy to make. No one really likes clichés, but we use them at important events for well-trod expressions and cheeky adages. They’re quick and malleable. Few of us take the time to truly consider what the event means, or if we do, we can’t find the right words. There’s too much going on.

This is my problem.

I can feel the day approaching, but I don’t know what it means. And I’m not the sort of person who can blithely steps off into mystery like a trust fall. I need some clarity.

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Maps

So I am neither dead nor lost in some Tron-like universe, detached from reality. I’m treasure_map__skull_island_by_pumpkinjack6-d30me8qjust very busy: a starring role in a musical, an honors thesis, and the day-to-day tasks of tutoring and studying. Still, I apologize for my absence.

That said, I don’t have anything new today. But I figured I could copy-and-paste part of my honor’s project, a memoir that also involves French writer Albert Camus called Coming of Age with Camus. It’s coming along, but still needs work. Call it a peace offering.

Here’s the first chapter, Maps:

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Some thoughts on theater

Two weeks ago, I went to a college theater festival in Maryland. Surrounded by crazy

Photo from the festival: a few of us in Midsummer Night's Dream Costumes, designed by Emily West
Photo from the festival: a few of us in A Midsummer Night’s Dream costumes, designed by Emily West (Far right)

theater types, plays, and workshops–including one that taught how to use a feather to achieve inner balance–the nine of us who went had theater on the brain–still do, I suppose.

Since ninth grade, when I acted in my first play, theater has remained an integral part of my life. Many of my friends have been actors and techies, and my evenings–sometimes weekends–often get swallowed by it. Whenever I can, I try to see plays.

It’s a fascinating art. Is has the fragility of music and the visual complexity of painting, kinetic and dynamic like dance, yet grounded in the permanence of writing. It uses space and resonance in ways a film never could and the vocalization of everyday poetry.

And it’s immediate, like life.

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Dredging the self

This Monday, I dug up a crate of my old writing from my parent’s cellar. Journals,

Ah yes, my high school self...
Ah yes, my high school self…

poems, old short stories, math notebooks lined with marginal musings. Anything I could find. I fished love letters from my closet and photographs from my mothers’ desk, piling it all up like autumn leaves on my bedroom floor.

For a few days, I dug trough the stack.

OK, so “stack” may be a little exaggerated. But it’s a significant pile. I’m reread it all to revisit those hazy landscapes of my not-too-distant childhood, verifying events and reviving old memories, all in a pointed search of self.

I’m writing a memoir for my Honor’s project. I know I could half-ass most of it. But I’d get nothing from that besides reams of pleasant-sounding pulp. I don’t want that.

I’m after my own self, after all.

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Sunset on the Allegheny River

I went for walk tonight along the river that runs behind the school. The sun was setting

A picture of the trail just after sunset.
A picture of the trail just after sunset.

over the hills, making me think of a piece I wrote four years ago during my freshman year. At the time, I didn’t know anyone, so I would sit by the river often, writing and reading Aldo Leopold, Khrishnamurti, and Thoreau.

The silence and solitude of the path still moves me. I think the piece captures that well:

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Nourishment and starlight

Yep, another update. But I should be having some more substantial posts soon as I only have four more weeks of school before winter break. In the meantime, the work goes on. Still, I have some reflections to consider.

“You have to do what nourishes you,” one of my English professors said earlier this semester. The words have been close at hand the past few days. After a three-week low, I’ve started to pick up lately. I’ve gotten a lot of work done and have had some meaningful interactions with people.

In short, I’ve nourished myself.

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